Project acronym CRAACE
Project Continuity and Rupture in Central European Art and Architecture, 1918-1939
Researcher (PI) Matthew RAMPLEY
Host Institution (HI) Masarykova univerzita
Call Details Advanced Grant (AdG), SH5, ERC-2017-ADG
Summary When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In 1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, marking a new era for the region. Through comparative analysis of the visual arts in 3 states built on the ruins of the Habsburg Empire (Austria, Hungary and [former] Czechoslovakia), this project examines how such political discontinuity affected art and architecture between 1918 and 1939. The project is organised into 4 themes, each resulting in a monograph:
1. Vernacular modernisms, nostalgia and the avant-garde
2. Presenting the state: world fairs and exhibitionary cultures
3. Piety, reaction and renewal
4. Contested histories: monuments, memory and representations of the historical past
It is the first systematic and comprehensive trans-national study of this type, based on the claim that the successor states to Austria-Hungary belonged to a common cultural space informed by the shared memory of the long years of Habsburg society and culture. The project focuses on the contradictory ways that visual arts of artists and architects in central Europe adapted to and tried to shape new socio-political circumstances in the light of the past. The project thus examines the long shadow of the Habsburg Empire over the art and culture of the twentieth century.
The project also considers the impact of the political and ideological imperatives of the three successor states on the visual arts; how did governments treat the past? Did they encourage a sense of historical caesura or look to the past for legitimation? How did artists and architects respond to such new impulses? In answering these questions the project analyses the conflicts between avant-gardes and more conservative artistic movements; the role of the visual arts in interwar memory politics; the place of art in the nexus of religion, national and state identity.
Summary
When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In 1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, marking a new era for the region. Through comparative analysis of the visual arts in 3 states built on the ruins of the Habsburg Empire (Austria, Hungary and [former] Czechoslovakia), this project examines how such political discontinuity affected art and architecture between 1918 and 1939. The project is organised into 4 themes, each resulting in a monograph:
1. Vernacular modernisms, nostalgia and the avant-garde
2. Presenting the state: world fairs and exhibitionary cultures
3. Piety, reaction and renewal
4. Contested histories: monuments, memory and representations of the historical past
It is the first systematic and comprehensive trans-national study of this type, based on the claim that the successor states to Austria-Hungary belonged to a common cultural space informed by the shared memory of the long years of Habsburg society and culture. The project focuses on the contradictory ways that visual arts of artists and architects in central Europe adapted to and tried to shape new socio-political circumstances in the light of the past. The project thus examines the long shadow of the Habsburg Empire over the art and culture of the twentieth century.
The project also considers the impact of the political and ideological imperatives of the three successor states on the visual arts; how did governments treat the past? Did they encourage a sense of historical caesura or look to the past for legitimation? How did artists and architects respond to such new impulses? In answering these questions the project analyses the conflicts between avant-gardes and more conservative artistic movements; the role of the visual arts in interwar memory politics; the place of art in the nexus of religion, national and state identity.
Max ERC Funding
2 468 359 €
Duration
Start date: 2018-09-01, End date: 2023-08-31
Project acronym LONGWOOD
Project Long-term woodland dynamics in Central Europe: from estimations to a realistic model
Researcher (PI) Péter Szabó
Host Institution (HI) BOTANICKY USTAV AV CR, V.V.I.
Call Details Starting Grant (StG), PE10, ERC-2011-StG_20101014
Summary The vegetation of Central Europe has been directly influenced by humans for at least eight millennia; the original forests have been gradually transformed into today’s agricultural landscape. However, there is more to this landscape change than the simple disappearance of woodland. Forests have been brought under various management regimes, which profoundly altered their structure and species composition. The details of this process are little known for two main reasons. The greatest obstacle is the lack of cooperation among the disciplines dealing with the subject. The second major problem is the differences in spatio-temporal scaling and resolution used by the individual disciplines. Existing studies either concern smaller territories, or cover large areas (continental to global) with the help of modelling-based generalizations rather than primary data from the past. Using an extensive range of primary sources from history, historical geography, palaeoecology, archaeology and ecology, this interdisciplinary project aims to reconstruct the long-term (Neolithic to present) patterns of woodland cover, structure, composition and management in a larger study region (Moravia, the Czech Republic, ca. 27,000 km2) with the highest spatio-temporal resolution possible. Causes for the patterns observed will be analyzed in terms of qualitative and quantitative factors, both natural and human-driven, and the patterns in the tree layer will be related to those in the herb layer, which constitutes the most important part of plant biodiversity in Europe. This project will introduce woodland management as an equal driving force into long-term woodland dynamics, thus fostering a paradigm shift in ecology towards construing humans as an internal, constitutive element of ecosystems. By integrating sources and methods from the natural sciences and the humanities, the project will provide a more reliable basis for woodland management and conservation in Central Europe.
Summary
The vegetation of Central Europe has been directly influenced by humans for at least eight millennia; the original forests have been gradually transformed into today’s agricultural landscape. However, there is more to this landscape change than the simple disappearance of woodland. Forests have been brought under various management regimes, which profoundly altered their structure and species composition. The details of this process are little known for two main reasons. The greatest obstacle is the lack of cooperation among the disciplines dealing with the subject. The second major problem is the differences in spatio-temporal scaling and resolution used by the individual disciplines. Existing studies either concern smaller territories, or cover large areas (continental to global) with the help of modelling-based generalizations rather than primary data from the past. Using an extensive range of primary sources from history, historical geography, palaeoecology, archaeology and ecology, this interdisciplinary project aims to reconstruct the long-term (Neolithic to present) patterns of woodland cover, structure, composition and management in a larger study region (Moravia, the Czech Republic, ca. 27,000 km2) with the highest spatio-temporal resolution possible. Causes for the patterns observed will be analyzed in terms of qualitative and quantitative factors, both natural and human-driven, and the patterns in the tree layer will be related to those in the herb layer, which constitutes the most important part of plant biodiversity in Europe. This project will introduce woodland management as an equal driving force into long-term woodland dynamics, thus fostering a paradigm shift in ecology towards construing humans as an internal, constitutive element of ecosystems. By integrating sources and methods from the natural sciences and the humanities, the project will provide a more reliable basis for woodland management and conservation in Central Europe.
Max ERC Funding
1 413 474 €
Duration
Start date: 2012-01-01, End date: 2016-12-31
Project acronym UnRef
Project Unlikely refuge? Refugees and citizens in East-Central Europe in the 20th century
Researcher (PI) Michal FRANKL
Host Institution (HI) MASARYKUV USTAV A ARCHIV AV CR VVI
Call Details Consolidator Grant (CoG), SH6, ERC-2018-COG
Summary The project aims to write refugees back into the history of East-Central Europe in the 20th century. In this “age of refugees”, the region became a destination of large refugee migrations, forcing civil societies and governments to negotiate difficult decisions about protection for those fleeing the war and persecution. Yet, at the same time, East-Central Europe does not enjoy the reputation as a welcoming place for people persecuted for political persuasion, for their “racial”, ethnic identity or any other reason. It would appear that the histories of ethnic conflict and violence, political oppression and economic underdevelopment make it a place to leave behind rather than to search for as a safe harbour.
Studies about specific groups and instances notwithstanding, historical research remains highly unsatisfactory, failing to address refugee protection in a systematic comparative way and transcending national master narratives. Worse than this, historical writing about refugees in the “East” often re-inscribes the very (ethnic, political) categories which lead to the production of refugees in the first place.
Comparative research spanning across a longer period and a wider territory promises therefore not only major insights about the “East” as a refuge, but also a significant contribution to the emerging field of global refugee history. In this project, an international research team led by the PI will, using comparative historical research combined with multi-disciplinary approaches, probe the multifaceted entanglements with refugees in countries created in 1918 on the ruins of the Habsburg Monarchy (Poland, Czechoslovakia, Austria, Hungary, Yugoslavia) over the 20th century. By doing so, it wishes to return the discussion of protection of refugees into the region’s history and to contribute – from a scholarly perspective – to the cultivation of current and future public debate about this divisive subject.
Summary
The project aims to write refugees back into the history of East-Central Europe in the 20th century. In this “age of refugees”, the region became a destination of large refugee migrations, forcing civil societies and governments to negotiate difficult decisions about protection for those fleeing the war and persecution. Yet, at the same time, East-Central Europe does not enjoy the reputation as a welcoming place for people persecuted for political persuasion, for their “racial”, ethnic identity or any other reason. It would appear that the histories of ethnic conflict and violence, political oppression and economic underdevelopment make it a place to leave behind rather than to search for as a safe harbour.
Studies about specific groups and instances notwithstanding, historical research remains highly unsatisfactory, failing to address refugee protection in a systematic comparative way and transcending national master narratives. Worse than this, historical writing about refugees in the “East” often re-inscribes the very (ethnic, political) categories which lead to the production of refugees in the first place.
Comparative research spanning across a longer period and a wider territory promises therefore not only major insights about the “East” as a refuge, but also a significant contribution to the emerging field of global refugee history. In this project, an international research team led by the PI will, using comparative historical research combined with multi-disciplinary approaches, probe the multifaceted entanglements with refugees in countries created in 1918 on the ruins of the Habsburg Monarchy (Poland, Czechoslovakia, Austria, Hungary, Yugoslavia) over the 20th century. By doing so, it wishes to return the discussion of protection of refugees into the region’s history and to contribute – from a scholarly perspective – to the cultivation of current and future public debate about this divisive subject.
Max ERC Funding
1 995 950 €
Duration
Start date: 2019-09-01, End date: 2024-08-31
