Project acronym CALLIOPE
Project voCAL articuLations Of Parliamentary Identity and Empire
Researcher (PI) Josephine HOEGAERTS
Host Institution (HI) HELSINGIN YLIOPISTO
Call Details Starting Grant (StG), SH5, ERC-2017-STG
Summary What did politicians sound like before they were on the radio and television? The fascination with politicians’ vocal characteristics and quirks is often connected to the rise of audio-visual media. But in the age of the printed press, political representatives also had to ‘speak well’ – without recourse to amplification.
Historians and linguists have provided sophisticated understandings of the discursive and aesthetic aspects of politicians’ language, but have largely ignored the importance of the acoustic character of their speech. CALLIOPE studies how vocal performances in parliament have influenced the course of political careers and political decision making in the 19th century. It shows how politicians’ voices helped to define the diverse identities they articulated. In viewing parliament through the lens of audibility, the project offers a new perspective on political representation by reframing how authority was embodied (through performances that were heard, rather than seen). It does so for the Second Chamber in Britain and France, and in dialogue with ‘colonial’ modes of speech in Kolkata and Algiers, which, we argue, exerted considerable influence on European vocal culture.
The project devises an innovative methodological approach to include the sound of the human voice in studies of the past that precede acoustic recording. Adapting methods developed in sound studies and combining them with the tools of political history, the project proposes a new way to analyse parliamentary reporting, while also drawing on a variety of sources that are rarely connected to the history of politics.
The main source material for the study comprise transcripts of parliamentary speech (official reports and renditions by journalists). However, the project also mobilizes educational, satirical and fictional sources to elucidate the convoluted processes that led to the cultivation, exertion, reception and evaluation of a voice ‘fit’ for nineteenth-century politics.
Summary
What did politicians sound like before they were on the radio and television? The fascination with politicians’ vocal characteristics and quirks is often connected to the rise of audio-visual media. But in the age of the printed press, political representatives also had to ‘speak well’ – without recourse to amplification.
Historians and linguists have provided sophisticated understandings of the discursive and aesthetic aspects of politicians’ language, but have largely ignored the importance of the acoustic character of their speech. CALLIOPE studies how vocal performances in parliament have influenced the course of political careers and political decision making in the 19th century. It shows how politicians’ voices helped to define the diverse identities they articulated. In viewing parliament through the lens of audibility, the project offers a new perspective on political representation by reframing how authority was embodied (through performances that were heard, rather than seen). It does so for the Second Chamber in Britain and France, and in dialogue with ‘colonial’ modes of speech in Kolkata and Algiers, which, we argue, exerted considerable influence on European vocal culture.
The project devises an innovative methodological approach to include the sound of the human voice in studies of the past that precede acoustic recording. Adapting methods developed in sound studies and combining them with the tools of political history, the project proposes a new way to analyse parliamentary reporting, while also drawing on a variety of sources that are rarely connected to the history of politics.
The main source material for the study comprise transcripts of parliamentary speech (official reports and renditions by journalists). However, the project also mobilizes educational, satirical and fictional sources to elucidate the convoluted processes that led to the cultivation, exertion, reception and evaluation of a voice ‘fit’ for nineteenth-century politics.
Max ERC Funding
1 499 905 €
Duration
Start date: 2018-03-01, End date: 2023-02-28
Project acronym CROSSLOCATIONS
Project Crosslocations in the Mediterranean: rethinking the socio-cultural dynamics of relative positioning
Researcher (PI) Sarah Francesca Green
Host Institution (HI) HELSINGIN YLIOPISTO
Call Details Advanced Grant (AdG), SH5, ERC-2015-AdG
Summary The Mediterranean, a key socio-cultural, economic and political crossroads, has shifted its relative position recently, with profound effects for relations between the peoples associated with its diverse parts. Crosslocations is a groundbreaking theoretical approach that goes beyond current borders research to analyse the significance of the changes in relations between places and peoples that this involves. It does this through explaining shifts in the relative positioning of the Mediterranean’s many locations – i.e. the changing values of where people are rather than who they are. Approaches focusing on people’s identities, statecraft or networks do not provide a way to research how the relative value of ‘being somewhere in particular’ is changing and diversifying.
The approach builds on the idea that in socio-cultural terms, location is a form of political, social, economic, and technical relative positioning, involving diverse scales that calibrate relative values (here called ‘locating regimes’). This means locations are both multiple and historically variable, so different types of location may overlap in the same geographical space, particularly in crossroads regions such as the Mediterranean. The dynamics between them alter relations between places, significantly affecting people’s daily lives, including their life chances, wellbeing, environmental, social and political conditions and status.
The project will first research the locating regimes crossing the Mediterranean region (border regimes, infrastructures; digital technologies; fiscal, financial and trading systems; environmental policies; and social and religious structures); then intensively ethnographically study the socio-cultural dynamics of relative positioning that these regimes generate in selected parts of the Mediterranean region. Through explaining the dynamics of relative location, Crosslocations will transform our understanding of trans-local, socio-cultural relations and separations.
Summary
The Mediterranean, a key socio-cultural, economic and political crossroads, has shifted its relative position recently, with profound effects for relations between the peoples associated with its diverse parts. Crosslocations is a groundbreaking theoretical approach that goes beyond current borders research to analyse the significance of the changes in relations between places and peoples that this involves. It does this through explaining shifts in the relative positioning of the Mediterranean’s many locations – i.e. the changing values of where people are rather than who they are. Approaches focusing on people’s identities, statecraft or networks do not provide a way to research how the relative value of ‘being somewhere in particular’ is changing and diversifying.
The approach builds on the idea that in socio-cultural terms, location is a form of political, social, economic, and technical relative positioning, involving diverse scales that calibrate relative values (here called ‘locating regimes’). This means locations are both multiple and historically variable, so different types of location may overlap in the same geographical space, particularly in crossroads regions such as the Mediterranean. The dynamics between them alter relations between places, significantly affecting people’s daily lives, including their life chances, wellbeing, environmental, social and political conditions and status.
The project will first research the locating regimes crossing the Mediterranean region (border regimes, infrastructures; digital technologies; fiscal, financial and trading systems; environmental policies; and social and religious structures); then intensively ethnographically study the socio-cultural dynamics of relative positioning that these regimes generate in selected parts of the Mediterranean region. Through explaining the dynamics of relative location, Crosslocations will transform our understanding of trans-local, socio-cultural relations and separations.
Max ERC Funding
2 433 234 €
Duration
Start date: 2016-09-01, End date: 2021-08-31
Project acronym ETI
Project Epistemic Transitions in Islamic Philosophy, Theology and Science: From the 12th to the 19th Century
Researcher (PI) Jari Pekka Kaukua
Host Institution (HI) JYVASKYLAN YLIOPISTO
Call Details Consolidator Grant (CoG), SH5, ERC-2015-CoG
Summary Not very long ago, it was still common to hold that little of interest took place in Islamic philosophy, theology and science after the death of the Peripatetic commentator Averroes in 1198. Recent research has produced increasing evidence against this view, and experts now commonly agree that texts from the so-called post-classical period merit serious analysis. That evidence, however, is still fragmentary, and we lack a clear understanding of the large scale and long run development in the various fields of Islamic intellectual culture after the twelfth century.
This project will investigate debates concerning the nature and methods of knowledge in four of the most ambitious strands of Islamic theoretical thought, that is, philosophy, theology, natural science, and philosophically inclined Sufism. Its temporal scope extends from the end of the twelfth century to the beginning of the colonial era, and it focuses on foundational epistemological questions (how knowledge is defined, what criteria are used to distinguish it from less secure epistemic attitudes, what methods are identified as valid in the acquisition of knowledge) as well as questions concerning knowledge as the goal of our existence (in particular, whether perceptual experience is inherently valuable).
Our study of the four strands is based on the hypothesis that the post-classical period is witness to a sophisticated discussion of knowledge, in which epistemic realism, intuitionism, phenomenalism, and subjectivism are pitted against each other in a nuanced manner. Hence, the project will result in a well-founded reassessment of the common view according to which post-classical Islamic intellectual culture is authoritarian and stuck to an epistemic paradigm that stifles insight and creativity. Thereby it will provide new ingredients for projects of endogenous reform and reorientation in Islam, and corroborate the view that our future histories of philosophy should incorporate the Islamic tradition.
Summary
Not very long ago, it was still common to hold that little of interest took place in Islamic philosophy, theology and science after the death of the Peripatetic commentator Averroes in 1198. Recent research has produced increasing evidence against this view, and experts now commonly agree that texts from the so-called post-classical period merit serious analysis. That evidence, however, is still fragmentary, and we lack a clear understanding of the large scale and long run development in the various fields of Islamic intellectual culture after the twelfth century.
This project will investigate debates concerning the nature and methods of knowledge in four of the most ambitious strands of Islamic theoretical thought, that is, philosophy, theology, natural science, and philosophically inclined Sufism. Its temporal scope extends from the end of the twelfth century to the beginning of the colonial era, and it focuses on foundational epistemological questions (how knowledge is defined, what criteria are used to distinguish it from less secure epistemic attitudes, what methods are identified as valid in the acquisition of knowledge) as well as questions concerning knowledge as the goal of our existence (in particular, whether perceptual experience is inherently valuable).
Our study of the four strands is based on the hypothesis that the post-classical period is witness to a sophisticated discussion of knowledge, in which epistemic realism, intuitionism, phenomenalism, and subjectivism are pitted against each other in a nuanced manner. Hence, the project will result in a well-founded reassessment of the common view according to which post-classical Islamic intellectual culture is authoritarian and stuck to an epistemic paradigm that stifles insight and creativity. Thereby it will provide new ingredients for projects of endogenous reform and reorientation in Islam, and corroborate the view that our future histories of philosophy should incorporate the Islamic tradition.
Max ERC Funding
1 526 429 €
Duration
Start date: 2016-09-01, End date: 2021-08-31
Project acronym EUROHERIT
Project Legitimation of European cultural heritage and the dynamics of identity politics in the EU
Researcher (PI) Tuuli Kaarina Lähdesmäki
Host Institution (HI) JYVASKYLAN YLIOPISTO
Call Details Starting Grant (StG), SH5, ERC-2014-STG
Summary The problematic of transnational cultural heritage has become topical in a new way in Europe with the utilization of the idea of heritage for political purposes in the EU policy. Since the turn of the century, the EU has launched or jointly administered several initiatives focusing on fostering the idea of a common European cultural heritage. The heritage initiatives are the EU’s ‘technologies of power’ aiming to legitimate and justify certain political ideas and ideologies, such as European-wide identity politics and the cultural integration in Europe. However, the politics, discourses, and practices of heritage—and of transnational heritage in particular—are often intertwined with contentions over its symbolical and factual ownership, meanings, and uses. The project investigates the EU as a new heritage agent and its heritage politics as an attempt to create a new trans-European heritage regime in Europe: How does the EU aim to create common European cultural heritage in a politically shaking and culturally diversified Europe, and what kind of explicit and implicit politics are included in its aims? The project will focus on the legitimation processes of European cultural heritage at different territorial levels and the power relations formed in the processes between diverse agencies. The academia still lacks a comparative empirical investigation on the politics and practices of trans-European cultural heritage and the theoretical discussion on the role of the EU in them. The project aims to respond to this lack with a broad comparative empirical research including cases from various parts of Europe, penetrating different territorial scales (local, regional, national, and the EU), and theorizing cultural heritage from a multisectional perspective (stressing its concurrent use in diverse societal domains and discourses). The project participates in a critical discussion on the current identity and integration politics and policies in the EU and Europe.
Summary
The problematic of transnational cultural heritage has become topical in a new way in Europe with the utilization of the idea of heritage for political purposes in the EU policy. Since the turn of the century, the EU has launched or jointly administered several initiatives focusing on fostering the idea of a common European cultural heritage. The heritage initiatives are the EU’s ‘technologies of power’ aiming to legitimate and justify certain political ideas and ideologies, such as European-wide identity politics and the cultural integration in Europe. However, the politics, discourses, and practices of heritage—and of transnational heritage in particular—are often intertwined with contentions over its symbolical and factual ownership, meanings, and uses. The project investigates the EU as a new heritage agent and its heritage politics as an attempt to create a new trans-European heritage regime in Europe: How does the EU aim to create common European cultural heritage in a politically shaking and culturally diversified Europe, and what kind of explicit and implicit politics are included in its aims? The project will focus on the legitimation processes of European cultural heritage at different territorial levels and the power relations formed in the processes between diverse agencies. The academia still lacks a comparative empirical investigation on the politics and practices of trans-European cultural heritage and the theoretical discussion on the role of the EU in them. The project aims to respond to this lack with a broad comparative empirical research including cases from various parts of Europe, penetrating different territorial scales (local, regional, national, and the EU), and theorizing cultural heritage from a multisectional perspective (stressing its concurrent use in diverse societal domains and discourses). The project participates in a critical discussion on the current identity and integration politics and policies in the EU and Europe.
Max ERC Funding
1 339 755 €
Duration
Start date: 2015-09-01, End date: 2020-08-31
Project acronym PapyGreek
Project Digital Grammar of Greek Documentary Papyri
Researcher (PI) Marja VIERROS
Host Institution (HI) HELSINGIN YLIOPISTO
Call Details Starting Grant (StG), SH5, ERC-2017-STG
Summary The project creates a new Digital Grammar of Greek Documentary Papyri. It fills a void in Greek scholarship: the papyrological corpus represents the Post-Classical variety of Greek, a bridge between Classical and Medieval Greek, which has hitherto been very difficult to use as a source for studying historical linguistics. This project will develop new digital methods for studying this fragmentary but vast text corpus.
Greek is a unique language for linguists in its chronological scope. Documentary Greek papyri, ranging from ca. 300 BCE to 700 CE, can be contrasted with literature: these papyri preserve us the language as the ancient writer composed it and lead us close to the colloquial contemporary language. The nonstandard variation in documentary texts is where language change can first be detected, making the papyrological corpus an important source for diachronic study of Greek. The new Grammar of Greek papyri will answer such questions as how much bilingualism affected Greek in Egypt and when and where it was a dominant feature of the society. The papyri will partly be treated as big data; the whole corpus will be morphologically tagged. This will enable e.g. phonological analyses to be performed in greater accuracy than has been possible before through eliminating the confusion between inflectional morphology and phonological variation.
As a result, the Digital Grammar will bring the language used in the Greek papyri openly available to the scholarly community in an unforeseen manner. It will include new, more exact analyses of the phonology and morphology of Greek in Egypt, as well as a possibility to search both phonological and morphological forms, in combination or in separation, in the whole corpus. The syntactically annotated corpora will form a smaller but constantly expanding corpus of selected papyri, which yields to a wider range of searches on morphosyntax.
Summary
The project creates a new Digital Grammar of Greek Documentary Papyri. It fills a void in Greek scholarship: the papyrological corpus represents the Post-Classical variety of Greek, a bridge between Classical and Medieval Greek, which has hitherto been very difficult to use as a source for studying historical linguistics. This project will develop new digital methods for studying this fragmentary but vast text corpus.
Greek is a unique language for linguists in its chronological scope. Documentary Greek papyri, ranging from ca. 300 BCE to 700 CE, can be contrasted with literature: these papyri preserve us the language as the ancient writer composed it and lead us close to the colloquial contemporary language. The nonstandard variation in documentary texts is where language change can first be detected, making the papyrological corpus an important source for diachronic study of Greek. The new Grammar of Greek papyri will answer such questions as how much bilingualism affected Greek in Egypt and when and where it was a dominant feature of the society. The papyri will partly be treated as big data; the whole corpus will be morphologically tagged. This will enable e.g. phonological analyses to be performed in greater accuracy than has been possible before through eliminating the confusion between inflectional morphology and phonological variation.
As a result, the Digital Grammar will bring the language used in the Greek papyri openly available to the scholarly community in an unforeseen manner. It will include new, more exact analyses of the phonology and morphology of Greek in Egypt, as well as a possibility to search both phonological and morphological forms, in combination or in separation, in the whole corpus. The syntactically annotated corpora will form a smaller but constantly expanding corpus of selected papyri, which yields to a wider range of searches on morphosyntax.
Max ERC Funding
1 495 584 €
Duration
Start date: 2018-03-01, End date: 2023-02-28
Project acronym RE-FASHIONING
Project Re-fashioning the Renaissance: Popular Groups, Fashion and the Material and Cultural Significance of Clothing in Europe, 1550-1650
Researcher (PI) Paula Sofia Hohti
Host Institution (HI) AALTO KORKEAKOULUSAATIO SR
Call Details Consolidator Grant (CoG), SH5, ERC-2016-COG
Summary This study of Renaissance dress offers a better understanding of how fashion developed at popular levels of
society in Europe, 1550-1650. Drawing on documentary, visual and material evidence, it investigates
fundamental questions relating to the transformation of fashion that will shed light on popular taste,
dissemination, transformation and adaption of fashion, on imitation and meaning, and on changing cultural
attitudes to dress among popular groups. The central goal of the project is to develop a new methodology that
combines my previous experience of empirical research and theoretical models with the tradition of textile
analysis and costume conservation. This involves experimenting with a range of techniques, including
technical analysis of textiles, dye- and fibre analysis, and the reconstruction and visualization of historical
fashions using both 16th-century recipes as well as modern digital tools such as 3D printing and digital
reconstruction. This framework of dress and textile history at both scientific and experimental levels helps me
to provide a more comprehensive interpretation of the value, variations, and material experiences that were
associated with dress and dressing in the Renaissance, and to develop methodologies that allow us to explore
new ways in which narratives from historical documents, books, images, and material objects can be created.
The new historical knowledge and methodologies built during the ERC will lead to the ultimate theoretical
objective of the project –to rethink the scientific foundation and theory of dress studies within the ‘new
materialist’ framework. By creating a material-based approach and methodologies to the study of fashion in the
context of popular groups, my research will not only build new horizons for the study of popular dress and its
material and cultural significance in the Renaissance, but it will also create a theoretical model that challenges
dress historians to go beyond semiotic analysis of dress.
Summary
This study of Renaissance dress offers a better understanding of how fashion developed at popular levels of
society in Europe, 1550-1650. Drawing on documentary, visual and material evidence, it investigates
fundamental questions relating to the transformation of fashion that will shed light on popular taste,
dissemination, transformation and adaption of fashion, on imitation and meaning, and on changing cultural
attitudes to dress among popular groups. The central goal of the project is to develop a new methodology that
combines my previous experience of empirical research and theoretical models with the tradition of textile
analysis and costume conservation. This involves experimenting with a range of techniques, including
technical analysis of textiles, dye- and fibre analysis, and the reconstruction and visualization of historical
fashions using both 16th-century recipes as well as modern digital tools such as 3D printing and digital
reconstruction. This framework of dress and textile history at both scientific and experimental levels helps me
to provide a more comprehensive interpretation of the value, variations, and material experiences that were
associated with dress and dressing in the Renaissance, and to develop methodologies that allow us to explore
new ways in which narratives from historical documents, books, images, and material objects can be created.
The new historical knowledge and methodologies built during the ERC will lead to the ultimate theoretical
objective of the project –to rethink the scientific foundation and theory of dress studies within the ‘new
materialist’ framework. By creating a material-based approach and methodologies to the study of fashion in the
context of popular groups, my research will not only build new horizons for the study of popular dress and its
material and cultural significance in the Renaissance, but it will also create a theoretical model that challenges
dress historians to go beyond semiotic analysis of dress.
Max ERC Funding
1 999 854 €
Duration
Start date: 2017-04-01, End date: 2022-03-31
Project acronym RiP
Project Rationality in Perception: Transformations of Mind and Cognition 1250-1550
Researcher (PI) José Filipe Pereira da Silva
Host Institution (HI) HELSINGIN YLIOPISTO
Call Details Starting Grant (StG), SH5, ERC-2014-STG
Summary The project RiP aims to provide a groundbreaking new interpretation of late medieval theories of mind and cognition by focusing on the influence higher cognitive (rational) powers exert on lower (sensory) ones in the neglected tradition of Augustinian philosophy of perception.
Due to increasing difficulties in explaining the unity and objectivity of perceptual experience, late medieval authors came to question the dominant Aristotelian theory, with its passive account of perception and emphatic separation between sensory and intellectual functions. This led to a resurfacing of the Augustinian tradition, which is characterized by an emphasis on activity and top-down processing, built around the notions of intentionality and self-awareness.
The project investigates the hypothesis that perception changes from being explained on the basis of a model of the soul that is metaphysically composite of really distinct clusters of functions to a model in which rationality permeates the functions previously attributed to lower cognitive capacities. It is the 'flow of reason', an expression found in a late sixteenth-century textbook.
The project has therefore two main objectives:
(1) to offer the first systematic study of late medieval theories of perception, focusing on the relation between the senses and intellect
(2) to retrace the shift in late medieval philosophy of perception that led to (a) a progressive questioning of direct realism in cognition and (b) the incremental reduction of all psychological functions to the mind.
The results of the project will allow a better understanding of the philosophical assumptions of late medieval theories of cognition, shedding new light on the historical background of early modern and contemporary conceptions of rationality.
Summary
The project RiP aims to provide a groundbreaking new interpretation of late medieval theories of mind and cognition by focusing on the influence higher cognitive (rational) powers exert on lower (sensory) ones in the neglected tradition of Augustinian philosophy of perception.
Due to increasing difficulties in explaining the unity and objectivity of perceptual experience, late medieval authors came to question the dominant Aristotelian theory, with its passive account of perception and emphatic separation between sensory and intellectual functions. This led to a resurfacing of the Augustinian tradition, which is characterized by an emphasis on activity and top-down processing, built around the notions of intentionality and self-awareness.
The project investigates the hypothesis that perception changes from being explained on the basis of a model of the soul that is metaphysically composite of really distinct clusters of functions to a model in which rationality permeates the functions previously attributed to lower cognitive capacities. It is the 'flow of reason', an expression found in a late sixteenth-century textbook.
The project has therefore two main objectives:
(1) to offer the first systematic study of late medieval theories of perception, focusing on the relation between the senses and intellect
(2) to retrace the shift in late medieval philosophy of perception that led to (a) a progressive questioning of direct realism in cognition and (b) the incremental reduction of all psychological functions to the mind.
The results of the project will allow a better understanding of the philosophical assumptions of late medieval theories of cognition, shedding new light on the historical background of early modern and contemporary conceptions of rationality.
Max ERC Funding
1 415 628 €
Duration
Start date: 2015-04-01, End date: 2020-03-31
Project acronym SENSOTRA
Project Sensory Transformations and Transgenerational Environmental Relationships in Europe, 1950–2020
Researcher (PI) Helmi Järviluoma-Mäkelä
Host Institution (HI) ITA-SUOMEN YLIOPISTO
Call Details Advanced Grant (AdG), SH5, ERC-2015-AdG
Summary This project aims at producing new understandings of the changes in people’s sensory environmental relationships in three European cities during a particular period in history, 1950–2020. It will offer a focused window on cultural transformations of the sensory by introducing a new transgenerational methodology, ethnographic “sensobiography”. Why now? Firstly, innovative and thoroughly researched information about sensory environmental relationships is in great demand. If the findings are successful, their challenge to several conventional dichotomies will provide results whose interdisciplinary impact extends beyond cultural, sound, and music studies to areas of psychology, human geography, environmental aesthetics, and media history and theory. The research is urgent: at present we are still able to study people ethnographically who were born in the 1930s and 1940s,who therefore lived their early years without digital technologies. The moment is also ideally suited for studying generations born straight into the digital world, where there is a need to enable young and older people to maintain a many-faceted relationship with their environments. The project's three research strands are (1) transformations in mediations of sensory experience, (2) embodied remembering and senses, and (3) sensory commons. These strands will be studied via a research strategy linking individuals and groups to broader social, cultural, and political issues in the medium-sized European cities of Brighton (UK), Ljubljana (Slovenia), and Turku (Finland). Temporally and spatially tightly focused dynamic ethnography makes it possible to examine multiple modes of past and present sensory experiencing. The study of artists as “sensewitnesses” will become one of the pivotal endeavours. The project facilitates a significant step from earlier methodologies toward large-scale, multisensory, transgenerational investigation, providing significant insights into culture with a sustainable future.
Summary
This project aims at producing new understandings of the changes in people’s sensory environmental relationships in three European cities during a particular period in history, 1950–2020. It will offer a focused window on cultural transformations of the sensory by introducing a new transgenerational methodology, ethnographic “sensobiography”. Why now? Firstly, innovative and thoroughly researched information about sensory environmental relationships is in great demand. If the findings are successful, their challenge to several conventional dichotomies will provide results whose interdisciplinary impact extends beyond cultural, sound, and music studies to areas of psychology, human geography, environmental aesthetics, and media history and theory. The research is urgent: at present we are still able to study people ethnographically who were born in the 1930s and 1940s,who therefore lived their early years without digital technologies. The moment is also ideally suited for studying generations born straight into the digital world, where there is a need to enable young and older people to maintain a many-faceted relationship with their environments. The project's three research strands are (1) transformations in mediations of sensory experience, (2) embodied remembering and senses, and (3) sensory commons. These strands will be studied via a research strategy linking individuals and groups to broader social, cultural, and political issues in the medium-sized European cities of Brighton (UK), Ljubljana (Slovenia), and Turku (Finland). Temporally and spatially tightly focused dynamic ethnography makes it possible to examine multiple modes of past and present sensory experiencing. The study of artists as “sensewitnesses” will become one of the pivotal endeavours. The project facilitates a significant step from earlier methodologies toward large-scale, multisensory, transgenerational investigation, providing significant insights into culture with a sustainable future.
Max ERC Funding
1 860 264 €
Duration
Start date: 2016-08-01, End date: 2021-07-31
