ERC FUNDED PROJECTS

A half century since it came into existence, the discipline of Film and Screen Studies remains mostly Eurocentric in its historical, theoretical and critical frameworks. Although “world cinema” and “transnational cinema” scholars have attempted to broaden its canon and frameworks, several major problems persist. Films and scholarship by Africans in particular, and by people of colour in general, are frequently marginalised if not altogether excluded. This prevents exciting exchanges that could help to re-envision Film and Screen Studies for the twenty-first century, in an era in which greater access to the technological means of making films, and circulating them on a range of screens, means that dynamic “screen worlds” are developing at a rapid rate. AFRISCREENWORLDS will study these “screen worlds” (in both their textual forms and industrial structures), with a focus on Africa, as a way of centring the most marginalised regional cinema. We will also elaborate comparative studies of global “screen worlds” – and, in particular, “screen worlds” in the Global South – exploring their similarities, differences, and parallel developments. We will respond to the exclusions of Film and Screen Studies not only in scholarly ways – through conferences and publications – but also in creative and activist ways – through drawing on cutting-edge creative research methodologies (such as audiovisual criticism and filmmaking) and through helping to decolonise Film and Screen Studies (through the production of ‘toolkits’ on how to make curricula, syllabi, and teaching more globally representative and inclusive). On a theoretical level, we will make an intervention through considering how the concept of “screen worlds” is better equipped than “world cinema” or “transnational cinema” to explore the complexities of audiovisual narratives, and their production and circulation in our contemporary moment, in diverse contexts throughout the globe.

1 985 578 €

Start date: 2019-06-01, End date: 2024-05-31

This interdisciplinary project investigates the transformation of Shii Islam in the Middle East and Europe since the 1950s. The project examines the formation of modern Shii communal identities and the role Shii clerical authorities and their transnational networks have played in their religio-political mobilisation. The volatile situation post-Arab Spring, the rise of militant movements such as ISIS and the sectarianisation of geopolitical conflicts in the Middle East have intensified efforts to forge distinct Shii communal identities and to conceive Shii Muslims as part of an alternative umma (Islamic community). The project focusses on Iran, Iraq and significant but unexplored diasporic links to Syria, Kuwait and Britain. In response to the rise of modern nation-states in the Middle East, Shii clerical authorities resorted to a wide range of activities: (a) articulating intellectual responses to the ideologies underpinning modern Middle Eastern nation-states, (b) forming political parties and other platforms of socio-political activism and (c) using various forms of cultural production by systematising and promoting Shii ritual practices and utilising visual art, poetry and new media. The project yields a perspectival shift on the factors that led to Shii communal mobilisation by: - Analysing unacknowledged intellectual responses of Shii clerical authorities to the secular or sectarian ideologies of post-colonial nation-states and to the current sectarianisation of geopolitics in the Middle East. - Emphasising the central role of diasporic networks in the Middle East and Europe in mobilising Shii communities and in influencing discourses and agendas of clerical authorities based in Iraq and Iran. - Exploring new modes of cultural production in the form of a modern Shii aesthetics articulated in ritual practices, visual art, poetry and new media and thus creating a more holistic narrative on Shii religio-political mobilisation.

1 952 374 €

Start date: 2018-01-01, End date: 2022-12-31

The genre of late antique law texts, “constitutions”, appears puzzling to the modern observer: contrary to our expectations of clarity and brevity, they are astoundingly voluminous, hiding away the actual legal core—which can be quite short—in a lengthy and elaborate text. They are composed in an accomplished style, and we actually know that their authorship was entrusted to some of the best contemporary literati. Thanks to a sophisticated system of transmission, these texts would reach each and every town in the area of their intended diffusion. Eagerly attended public readings as well as postings at well-frequented places (sometimes permanently as inscriptions) ensured that vast portions of the population would come to know their contents. These texts’ importance in Late Antiquity contrasts starkly with the current state of research. Nobody has investigated the full imperial constitutions as prime examples of late antique Kunstprosa, nor has much effort been put into appreciating the various subjects raised in their complex introductions. Their communicative role, spanning huge geographic as well as social distances from the very center of power to the remotest corners of the vast empire, has been tentatively interpreted by some scholars as “propaganda”, a simplistic explanation which fails to convince. Clearly, these extraordinary texts are in dire need of reassessment. This project has a twofold purpose: first, on the basis of the evidence from the full constitutions, it will yield the methodically most sophisticated study of top-down communication in Late Antiquity, embracing important conclusions and methods of modern communication theory. Second, in order to obtain reliable results, the full constitutions must be collected, sorted, verified, emended, and published anew. Both the resulting collection itself as well as the completely novel methodology employed to ensure its soundness will have a major impact on other research in Classics, Law, and beyond.

1 998 625 €

Start date: 2021-05-01, End date: 2026-04-30

This project proposes the first systematic study of Coptic apocrypha covering the entire timespan of Coptic literary production, and it aims to do so with unprecedented methodological sophistication. Apocrypha is here defined as (1) texts and traditions that develop or expand upon characters and events of the biblical storyworld; (2) and/or contain a claim to authorship by a character from that storyworld or a direct witness to it. A great number of such apocryphal texts and traditions has been preserved in Coptic manuscripts from the fourth to the twelfth centuries. Most of these texts are attributed to apostles or other important early Christian figures, and over time such materials were also increasingly embedded in pseudepigraphical frames, such as in homilies attributed to later, but still early, heroes of the Church. The manuscripts in which this literature has been preserved were almost exclusively produced and used in Egyptian monasteries. Although the use of such apocrypha were at times controversial, the evidence clearly indicates the widespread use of such literature in Coptic monasteries over centuries, and this project will investigate the contents, development, and functions of apocrypha over time, as they were copied, adapted, and used in changing socio-religious contexts over time. The period covered by the project saw drastic changes in the religious landscape of Egypt, from its Christianity having a dominant position in the fourth century, through the marginalization of Egyptian Christianity in relation to the imperial Chalcedonian Church after 451, to a period of increasing marginalization in relation to Islam following the Arab conquest of Egypt in the mid-seventh century. The project will investigate how these changing contexts are reflected in the Coptic apocrypha that were copied and used in Egyptian monasteries, and what functions they had for their users throughout the period under investigation.

1 998 626 €

Start date: 2020-08-01, End date: 2025-07-31