Project acronym BOAR
Project Veterinarization of Europe? Hunting for Wild Boar Futures in the Time of African Swine Fever
Researcher (PI) Ludek Broz
Host Institution (HI) ETNOLOGICKY USTAV AKADEMIE VED CESKE REPUBLIKY VVI - INSTITUTE OF ETHNOLOGY OF THE ACADEMY OF SCIENCES
Country Czechia
Call Details Consolidator Grant (CoG), SH5, ERC-2019-COG
Summary This project proposes a collaborative, ethnographic investigation of the relationship between three understudied subjects in anthropology: veterinary medicine, European hunting and wild boars. In recent decades, the wild boar has proliferated, (re)conquering the natural, rural and urban landscapes of Europe, and increasingly clashing with human practices and worlds. Classified as a game animal, the boar is primarily killed and managed by recreational hunters. Yet, hunters are proving incapable of stemming the tide of this intelligent, adaptable being, an interspecies relation that challenges hunting’s value and legitimacy in European society. This tension has amplified with the arrival of African Swine Fever (ASF) to the continent: a fatal virus that travels between wild boar and domestic pig, forest and farm, and threatens to infect and ruin the pig industry. In the name of biosecurity, and informed by veterinary knowledge, some States have intervened and conducted mass culls, erected dividing fences across Schengen space, or instituted no-go zones. During this crisis we witnessed how veterinary medicine’s role can extend beyond mediating human-animal relations, and work to structure and govern human lives in general. At the intersection of boars, hunting, ASF and veterinary medicine, this project has two main objectives: first, to examine how European hunting and porcine futures are intertwined, and the role of veterinarians in shaping these futures, and; second, through human-boar relations, study how society is becoming increasingly veterinarized and thus shape the conceptual and methodological development of the emerging field of veterinary anthropology. This project will further contribute to anthropology by opening a novel empirical and theoretical niche for the anthropology of hunting, and experiment with ethnography as a tool of engagement with near futures. The emerging and uncertain impact of ASF in Europe is an excellent moment to conduct such a project.
Summary
This project proposes a collaborative, ethnographic investigation of the relationship between three understudied subjects in anthropology: veterinary medicine, European hunting and wild boars. In recent decades, the wild boar has proliferated, (re)conquering the natural, rural and urban landscapes of Europe, and increasingly clashing with human practices and worlds. Classified as a game animal, the boar is primarily killed and managed by recreational hunters. Yet, hunters are proving incapable of stemming the tide of this intelligent, adaptable being, an interspecies relation that challenges hunting’s value and legitimacy in European society. This tension has amplified with the arrival of African Swine Fever (ASF) to the continent: a fatal virus that travels between wild boar and domestic pig, forest and farm, and threatens to infect and ruin the pig industry. In the name of biosecurity, and informed by veterinary knowledge, some States have intervened and conducted mass culls, erected dividing fences across Schengen space, or instituted no-go zones. During this crisis we witnessed how veterinary medicine’s role can extend beyond mediating human-animal relations, and work to structure and govern human lives in general. At the intersection of boars, hunting, ASF and veterinary medicine, this project has two main objectives: first, to examine how European hunting and porcine futures are intertwined, and the role of veterinarians in shaping these futures, and; second, through human-boar relations, study how society is becoming increasingly veterinarized and thus shape the conceptual and methodological development of the emerging field of veterinary anthropology. This project will further contribute to anthropology by opening a novel empirical and theoretical niche for the anthropology of hunting, and experiment with ethnography as a tool of engagement with near futures. The emerging and uncertain impact of ASF in Europe is an excellent moment to conduct such a project.
Max ERC Funding
1 999 875 €
Duration
Start date: 2020-07-01, End date: 2025-06-30
Project acronym CRAACE
Project Continuity and Rupture in Central European Art and Architecture, 1918-1939
Researcher (PI) Matthew RAMPLEY
Host Institution (HI) Masarykova univerzita
Country Czechia
Call Details Advanced Grant (AdG), SH5, ERC-2017-ADG
Summary When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In 1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, marking a new era for the region. Through comparative analysis of the visual arts in 3 states built on the ruins of the Habsburg Empire (Austria, Hungary and [former] Czechoslovakia), this project examines how such political discontinuity affected art and architecture between 1918 and 1939. The project is organised into 4 themes, each resulting in a monograph:
1. Vernacular modernisms, nostalgia and the avant-garde
2. Presenting the state: world fairs and exhibitionary cultures
3. Piety, reaction and renewal
4. Contested histories: monuments, memory and representations of the historical past
It is the first systematic and comprehensive trans-national study of this type, based on the claim that the successor states to Austria-Hungary belonged to a common cultural space informed by the shared memory of the long years of Habsburg society and culture. The project focuses on the contradictory ways that visual arts of artists and architects in central Europe adapted to and tried to shape new socio-political circumstances in the light of the past. The project thus examines the long shadow of the Habsburg Empire over the art and culture of the twentieth century.
The project also considers the impact of the political and ideological imperatives of the three successor states on the visual arts; how did governments treat the past? Did they encourage a sense of historical caesura or look to the past for legitimation? How did artists and architects respond to such new impulses? In answering these questions the project analyses the conflicts between avant-gardes and more conservative artistic movements; the role of the visual arts in interwar memory politics; the place of art in the nexus of religion, national and state identity.
Summary
When new political elites and social structures emerge out of a historical rupture, how are art and architecture affected? In 1918 the political map of central Europe was redrawn as a result of the collapse of Austria-Hungary, marking a new era for the region. Through comparative analysis of the visual arts in 3 states built on the ruins of the Habsburg Empire (Austria, Hungary and [former] Czechoslovakia), this project examines how such political discontinuity affected art and architecture between 1918 and 1939. The project is organised into 4 themes, each resulting in a monograph:
1. Vernacular modernisms, nostalgia and the avant-garde
2. Presenting the state: world fairs and exhibitionary cultures
3. Piety, reaction and renewal
4. Contested histories: monuments, memory and representations of the historical past
It is the first systematic and comprehensive trans-national study of this type, based on the claim that the successor states to Austria-Hungary belonged to a common cultural space informed by the shared memory of the long years of Habsburg society and culture. The project focuses on the contradictory ways that visual arts of artists and architects in central Europe adapted to and tried to shape new socio-political circumstances in the light of the past. The project thus examines the long shadow of the Habsburg Empire over the art and culture of the twentieth century.
The project also considers the impact of the political and ideological imperatives of the three successor states on the visual arts; how did governments treat the past? Did they encourage a sense of historical caesura or look to the past for legitimation? How did artists and architects respond to such new impulses? In answering these questions the project analyses the conflicts between avant-gardes and more conservative artistic movements; the role of the visual arts in interwar memory politics; the place of art in the nexus of religion, national and state identity.
Max ERC Funding
2 468 359 €
Duration
Start date: 2018-09-01, End date: 2023-08-31
