Project acronym 5COFM
Project Five Centuries of Marriages
Researcher (PI) Anna Cabré
Host Institution (HI) UNIVERSITAT AUTONOMA DE BARCELONA
Call Details Advanced Grant (AdG), SH6, ERC-2010-AdG_20100407
Summary This long-term research project is based on the data-mining of the Llibres d'Esposalles conserved at the Archives of the Barcelona Cathedral, an extraordinary data source comprising 244 books of marriage licenses records. It covers about 550.000 unions from over 250 parishes of the Diocese between 1451 and 1905. Its impeccable conservation is a miracle in a region where parish archives have undergone massive destruction. The books include data on the tax posed on each couple depending on their social class, on an eight-tiered scale. These data allow for research on multiple aspects of demographic research, especially on the very long run, such as: population estimates, marriage dynamics, cycles, and indirect estimations for fertility, migration and survival, as well as socio-economic studies related to social homogamy, social mobility, and transmission of social and occupational position. Being continuous over five centuries, the source constitutes a unique instrument to study the dynamics of population distribution, the expansion of the city of Barcelona and the constitution of its metropolitan area, as well as the chronology and the geography in the constitution of new social classes.
To this end, a digital library and a database, the Barcelona Historical Marriages Database (BHiMaD), are to be created and completed. An ERC-AG will help doing so while undertaking the research analysis of the database in parallel.
The research team, at the U. Autònoma de Barcelona, involves researchers from the Center for Demo-graphic Studies and the Computer Vision Center experts in historical databases and computer-aided recognition of ancient manuscripts. 5CofM will serve the preservation of the original “Llibres d’Esposalles” and unlock the full potential embedded in the collection.
Summary
This long-term research project is based on the data-mining of the Llibres d'Esposalles conserved at the Archives of the Barcelona Cathedral, an extraordinary data source comprising 244 books of marriage licenses records. It covers about 550.000 unions from over 250 parishes of the Diocese between 1451 and 1905. Its impeccable conservation is a miracle in a region where parish archives have undergone massive destruction. The books include data on the tax posed on each couple depending on their social class, on an eight-tiered scale. These data allow for research on multiple aspects of demographic research, especially on the very long run, such as: population estimates, marriage dynamics, cycles, and indirect estimations for fertility, migration and survival, as well as socio-economic studies related to social homogamy, social mobility, and transmission of social and occupational position. Being continuous over five centuries, the source constitutes a unique instrument to study the dynamics of population distribution, the expansion of the city of Barcelona and the constitution of its metropolitan area, as well as the chronology and the geography in the constitution of new social classes.
To this end, a digital library and a database, the Barcelona Historical Marriages Database (BHiMaD), are to be created and completed. An ERC-AG will help doing so while undertaking the research analysis of the database in parallel.
The research team, at the U. Autònoma de Barcelona, involves researchers from the Center for Demo-graphic Studies and the Computer Vision Center experts in historical databases and computer-aided recognition of ancient manuscripts. 5CofM will serve the preservation of the original “Llibres d’Esposalles” and unlock the full potential embedded in the collection.
Max ERC Funding
1 847 400 €
Duration
Start date: 2011-05-01, End date: 2016-04-30
Project acronym Aftermath
Project THE AFTERMATH OF THE EAST ASIAN WAR OF 1592-1598.
Researcher (PI) Rebekah CLEMENTS
Host Institution (HI) UNIVERSITAT AUTONOMA DE BARCELONA
Call Details Starting Grant (StG), SH6, ERC-2017-STG
Summary Aftermath seeks to understand the legacy of the East Asian War of 1592-1598. This conflict involved over 500,000 combatants from Japan, China, and Korea; up to 100,000 Korean civilians were abducted to Japan. The war caused momentous demographic upheaval and widespread destruction, but also had long-lasting cultural impact as a result of the removal to Japan of Korean technology and skilled labourers. The conflict and its aftermath bear striking parallels to events in East Asia during World War 2, and memories of the 16th century war remain deeply resonant in the region. However, the war and its immediate aftermath are also significant because they occurred at the juncture of periods often characterized as “medieval” and “early modern” in the East Asian case. What were the implications for the social, economic, and cultural contours of early modern East Asia? What can this conflict tell us about war “aftermath” across historical periods and about such periodization itself? There is little Western scholarship on the war and few studies in any language cross linguistic, disciplinary, and national boundaries to achieve a regional perspective that reflects the interconnected history of East Asia. Aftermath will radically alter our understanding of the region’s history by providing the first analysis of the state of East Asia as a result of the war. The focus will be on the period up to the middle of the 17th century, but not precluding ongoing effects. The team, with expertise covering Japan, Korea, and China, will investigate three themes: the movement of people and demographic change, the impact on the natural environment, and technological diffusion. The project will be the first large scale investigation to use Japanese, Korean, and Chinese sources to understand the war’s aftermath. It will broaden understandings of the early modern world, and push the boundaries of war legacy studies by exploring the meanings of “aftermath” in the early modern East Asian context.
Summary
Aftermath seeks to understand the legacy of the East Asian War of 1592-1598. This conflict involved over 500,000 combatants from Japan, China, and Korea; up to 100,000 Korean civilians were abducted to Japan. The war caused momentous demographic upheaval and widespread destruction, but also had long-lasting cultural impact as a result of the removal to Japan of Korean technology and skilled labourers. The conflict and its aftermath bear striking parallels to events in East Asia during World War 2, and memories of the 16th century war remain deeply resonant in the region. However, the war and its immediate aftermath are also significant because they occurred at the juncture of periods often characterized as “medieval” and “early modern” in the East Asian case. What were the implications for the social, economic, and cultural contours of early modern East Asia? What can this conflict tell us about war “aftermath” across historical periods and about such periodization itself? There is little Western scholarship on the war and few studies in any language cross linguistic, disciplinary, and national boundaries to achieve a regional perspective that reflects the interconnected history of East Asia. Aftermath will radically alter our understanding of the region’s history by providing the first analysis of the state of East Asia as a result of the war. The focus will be on the period up to the middle of the 17th century, but not precluding ongoing effects. The team, with expertise covering Japan, Korea, and China, will investigate three themes: the movement of people and demographic change, the impact on the natural environment, and technological diffusion. The project will be the first large scale investigation to use Japanese, Korean, and Chinese sources to understand the war’s aftermath. It will broaden understandings of the early modern world, and push the boundaries of war legacy studies by exploring the meanings of “aftermath” in the early modern East Asian context.
Max ERC Funding
1 444 980 €
Duration
Start date: 2018-11-01, End date: 2023-10-31
Project acronym AGRIWESTMED
Project Origins and spread of agriculture in the south-western Mediterranean region
Researcher (PI) Maria Leonor Peña Chocarro
Host Institution (HI) AGENCIA ESTATAL CONSEJO SUPERIOR DEINVESTIGACIONES CIENTIFICAS
Call Details Advanced Grant (AdG), SH6, ERC-2008-AdG
Summary This project focuses on one of the most fascinating events of the long history of the human species: the origins and spread of agriculture. Research over the past 40 years has provided an invaluable dataset on crop domestication and the spread of agriculture into Europe. However, despite the enormous advances in research there are important areas that remain almost unexplored, some of immense interest. This is the case of the western Mediterranean region from where our knowledge is still limited (Iberian Peninsula) or almost inexistent (northern Morocco). The last few years have witnessed a considerable increase in archaeobotany and the effort of a group of Spanish researchers working together in different aspects of agriculture has started to produce the first results. My proposal will approach the study of the arrival of agriculture to the western Mediterranean by exploring different interrelated research areas. The project involves the
application of different techniques (analysis of charred plant remains, pollen and non-pollen microfossils, phytoliths, micro-wear analyses, isotopes, soil micromorphology, genetics, and ethnoarchaeology) which will help to define the emergence and spread of agriculture in the area, its likely place of origin, its main technological attributes as well as the range crop husbandry practices carried out. The interaction between the different approaches and the methodologies involved will allow achieving a greater understanding of the type of agriculture that characterized the first farming communities in the most south-western part of Europe.
Summary
This project focuses on one of the most fascinating events of the long history of the human species: the origins and spread of agriculture. Research over the past 40 years has provided an invaluable dataset on crop domestication and the spread of agriculture into Europe. However, despite the enormous advances in research there are important areas that remain almost unexplored, some of immense interest. This is the case of the western Mediterranean region from where our knowledge is still limited (Iberian Peninsula) or almost inexistent (northern Morocco). The last few years have witnessed a considerable increase in archaeobotany and the effort of a group of Spanish researchers working together in different aspects of agriculture has started to produce the first results. My proposal will approach the study of the arrival of agriculture to the western Mediterranean by exploring different interrelated research areas. The project involves the
application of different techniques (analysis of charred plant remains, pollen and non-pollen microfossils, phytoliths, micro-wear analyses, isotopes, soil micromorphology, genetics, and ethnoarchaeology) which will help to define the emergence and spread of agriculture in the area, its likely place of origin, its main technological attributes as well as the range crop husbandry practices carried out. The interaction between the different approaches and the methodologies involved will allow achieving a greater understanding of the type of agriculture that characterized the first farming communities in the most south-western part of Europe.
Max ERC Funding
1 545 169 €
Duration
Start date: 2009-04-01, End date: 2013-03-31
Project acronym ArtEmpire
Project An ARTery of EMPIRE. Conquest, Commerce, Crisis, Culture and the Panamanian Junction (1513-1671)
Researcher (PI) Bethany Aram Worzella
Host Institution (HI) UNIVERSIDAD PABLO DE OLAVIDE
Call Details Consolidator Grant (CoG), SH6, ERC-2014-CoG
Summary European incursions onto the narrow isthmian pass that divided and connected the Atlantic and Pacific oceans made it a strategic node of the Spanish Empire and a crucial site for early modern globalization. On the front lines of the convergence of four continents, Old Panama offers an unusual opportunity for examining the diverse, often asymmetrical impacts of cultural and commercial contacts. The role of Italian, Portuguese, British, Dutch, and French interests in the area, as well as an influx of African slaves and Asian merchandise, have left a unique material legacy that requires an integrated, interdisciplinary approach to its varied sources. Bones, teeth and artifacts on this artery of Empire offer the possibility of new insights into the cultural and biological impact of early globalization. They also invite an interdisciplinary approach to different groups’ tactics for survival, including possible dietary changes, and the pursuit of profit. Such strategies may have led the diverse peoples inhabiting this junction, from indigenous allies to African and Asian bandits to European corsairs, to develop and to favor local production and Pacific trade networks at the expense of commerce with the metropolis.
This project applies historical, archaeological and archaeometric methodologies to evidence of encounters between peoples and goods from Europe, America, Africa and Asia that took place on the Isthmus of Panama during the sixteenth and seventeenth centuries. Forging an interdisciplinary approach to early globalization, it challenges both Euro-centric and Hispano-phobic interpretations of the impact of the conquest of America, traditionally seen as a demographic catastrophe that reached its nadir in the so-called seventeenth-century crisis. Rather than applying quantitative methods to incomplete source material, researchers will adopt a contextualized, inter-disciplinary, qualitative approach to diverse agents involved in cultural and commercial exchange.
Summary
European incursions onto the narrow isthmian pass that divided and connected the Atlantic and Pacific oceans made it a strategic node of the Spanish Empire and a crucial site for early modern globalization. On the front lines of the convergence of four continents, Old Panama offers an unusual opportunity for examining the diverse, often asymmetrical impacts of cultural and commercial contacts. The role of Italian, Portuguese, British, Dutch, and French interests in the area, as well as an influx of African slaves and Asian merchandise, have left a unique material legacy that requires an integrated, interdisciplinary approach to its varied sources. Bones, teeth and artifacts on this artery of Empire offer the possibility of new insights into the cultural and biological impact of early globalization. They also invite an interdisciplinary approach to different groups’ tactics for survival, including possible dietary changes, and the pursuit of profit. Such strategies may have led the diverse peoples inhabiting this junction, from indigenous allies to African and Asian bandits to European corsairs, to develop and to favor local production and Pacific trade networks at the expense of commerce with the metropolis.
This project applies historical, archaeological and archaeometric methodologies to evidence of encounters between peoples and goods from Europe, America, Africa and Asia that took place on the Isthmus of Panama during the sixteenth and seventeenth centuries. Forging an interdisciplinary approach to early globalization, it challenges both Euro-centric and Hispano-phobic interpretations of the impact of the conquest of America, traditionally seen as a demographic catastrophe that reached its nadir in the so-called seventeenth-century crisis. Rather than applying quantitative methods to incomplete source material, researchers will adopt a contextualized, inter-disciplinary, qualitative approach to diverse agents involved in cultural and commercial exchange.
Max ERC Funding
1 998 875 €
Duration
Start date: 2016-01-01, End date: 2020-12-31
Project acronym ARTSOUNDSCAPES
Project The sound of special places: exploring rock art soundscapes and the sacred
Researcher (PI) A. Margarita DIAZ-ANDREU
Host Institution (HI) UNIVERSITAT DE BARCELONA
Call Details Advanced Grant (AdG), SH6, ERC-2017-ADG
Summary The ARTSOUNDSCAPES project deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world. The potential of sound to stimulate powerful emotions makes it a common medium for conferring places with extraordinary agency. Ethnographic and ethnohistorical sources indicate that these sites are often endowed with a sacred significance and, in many cases, they also receive special treatment, including the production of rock paintings. Despite the aural experience being an integral component of the human condition and a key element in ritual, archaeology has largely been unable to study it systematically. Rock art landscapes are no exception and, although some studies have been made, they have largely been reproached for their lack of scientific rigour and subjectivity. ARTSOUNDSCAPES will fully address this weakness by investigating the perception of sound in rock art landscapes from an interdisciplinary approach. Borrowing methods developed in acoustic engineering, the project will assess, from an objective and quantitative perspective, the acoustic properties of rock art landscapes in selected areas around the world: the Western/Central Mediterranean in Europe, Siberia in Asia, and Baja California in North America. Human experiences associated with altered or mystical states invoked by the identified special sonic characteristics of these landscapes will be further tested by exploring the psychoacoustic effects these soundscapes have on people and their neural correlate to brain activity. The project will also thoroughly survey ethnographic attitudes to sacred soundscapes based on both current premodern societies and ethnohistorical sources. The groundbreaking combination of this array of interdisciplinary approaches will facilitate the ultimate aim of the project: to propose a phenomenological understanding of sacred soundscapes among late hunter-gatherers and early agriculturalists around the world.
Summary
The ARTSOUNDSCAPES project deals with sound, rock art and sacred landscapes among past hunter-gatherers and early agricultural societies around the world. The potential of sound to stimulate powerful emotions makes it a common medium for conferring places with extraordinary agency. Ethnographic and ethnohistorical sources indicate that these sites are often endowed with a sacred significance and, in many cases, they also receive special treatment, including the production of rock paintings. Despite the aural experience being an integral component of the human condition and a key element in ritual, archaeology has largely been unable to study it systematically. Rock art landscapes are no exception and, although some studies have been made, they have largely been reproached for their lack of scientific rigour and subjectivity. ARTSOUNDSCAPES will fully address this weakness by investigating the perception of sound in rock art landscapes from an interdisciplinary approach. Borrowing methods developed in acoustic engineering, the project will assess, from an objective and quantitative perspective, the acoustic properties of rock art landscapes in selected areas around the world: the Western/Central Mediterranean in Europe, Siberia in Asia, and Baja California in North America. Human experiences associated with altered or mystical states invoked by the identified special sonic characteristics of these landscapes will be further tested by exploring the psychoacoustic effects these soundscapes have on people and their neural correlate to brain activity. The project will also thoroughly survey ethnographic attitudes to sacred soundscapes based on both current premodern societies and ethnohistorical sources. The groundbreaking combination of this array of interdisciplinary approaches will facilitate the ultimate aim of the project: to propose a phenomenological understanding of sacred soundscapes among late hunter-gatherers and early agriculturalists around the world.
Max ERC Funding
2 239 375 €
Duration
Start date: 2018-10-01, End date: 2023-09-30
Project acronym AYURYOG
Project Medicine, Immortality, Moksha: Entangled Histories of Yoga, Ayurveda and Alchemy in South Asia
Researcher (PI) Dagmar Wujastyk
Host Institution (HI) UNIVERSITAT WIEN
Call Details Starting Grant (StG), SH6, ERC-2014-STG
Summary The project will examine the histories of yoga, ayurveda and rasashastra (Indian alchemy and iatrochemistry) from the tenth century to the present, focussing on the disciplines' health, rejuvenation and longevity practices. The goals of the project are to reveal the entanglements of these historical traditions, and to trace the trajectories of their evolution as components of today's global healthcare and personal development industries.
Our hypothesis is that practices aimed at achieving health, rejuvenation and longevity constitute a key area of exchange between the three disciplines, preparing the grounds for a series of important pharmaceutical and technological innovations and also profoundly influencing the discourses of today's medicalized forms of globalized yoga as well as of contemporary institutionalized forms of ayurveda and rasashastra.
Drawing upon the primary historical sources of each respective tradition as well as on fieldwork data, the research team will explore the shared terminology, praxis and theory of these three disciplines. We will examine why, when and how health, rejuvenation and longevity practices were employed; how each discipline’s discourse and practical applications relates to those of the others; and how past encounters and cross-fertilizations impact on contemporary health-related practices in yogic, ayurvedic and alchemists’ milieus.
The five-year project will be based at the Department of South Asian, Tibetan and Buddhist Studies at Vienna University and carried out by an international team of 3 post-doctoral researchers. The research will be grounded in the fields of South Asian studies and social history. An international workshop and an international conference will be organized to present and discuss the research results, which will also be published in peer-reviewed journals, an edited volume, and in individual monographs. A project website will provide open access to all research results.
Summary
The project will examine the histories of yoga, ayurveda and rasashastra (Indian alchemy and iatrochemistry) from the tenth century to the present, focussing on the disciplines' health, rejuvenation and longevity practices. The goals of the project are to reveal the entanglements of these historical traditions, and to trace the trajectories of their evolution as components of today's global healthcare and personal development industries.
Our hypothesis is that practices aimed at achieving health, rejuvenation and longevity constitute a key area of exchange between the three disciplines, preparing the grounds for a series of important pharmaceutical and technological innovations and also profoundly influencing the discourses of today's medicalized forms of globalized yoga as well as of contemporary institutionalized forms of ayurveda and rasashastra.
Drawing upon the primary historical sources of each respective tradition as well as on fieldwork data, the research team will explore the shared terminology, praxis and theory of these three disciplines. We will examine why, when and how health, rejuvenation and longevity practices were employed; how each discipline’s discourse and practical applications relates to those of the others; and how past encounters and cross-fertilizations impact on contemporary health-related practices in yogic, ayurvedic and alchemists’ milieus.
The five-year project will be based at the Department of South Asian, Tibetan and Buddhist Studies at Vienna University and carried out by an international team of 3 post-doctoral researchers. The research will be grounded in the fields of South Asian studies and social history. An international workshop and an international conference will be organized to present and discuss the research results, which will also be published in peer-reviewed journals, an edited volume, and in individual monographs. A project website will provide open access to all research results.
Max ERC Funding
1 416 146 €
Duration
Start date: 2015-06-01, End date: 2020-05-31
Project acronym CASTELLANY ACCOUNTS
Project Record-keeping, fiscal reform, and the rise of institutional accountability in late-medieval Savoy: a source-oriented approach
Researcher (PI) Ionut Epurescu-Pascovici
Host Institution (HI) UNIVERSITATEA DIN BUCURESTI
Call Details Starting Grant (StG), SH6, ERC-2014-STG
Summary The present research project focuses on an unjustly neglected corpus of late-medieval sources, the administrative and fiscal accounts (‘computi’) of the castellanies – basic administrative units – of the county of Savoy. I propose a holistic model of analysis that can fully capitalise on the unusual wealth of detail of the Savoyard source material, in order to illuminate some key topics in late-medieval institutional and socio-economic history, from the development of state institutions through administrative and fiscal reform – with particular attention to the transition from personal to institutional accountability – to the question of socio-economic growth, decline, and recovery during the turbulent period of the late-thirteenth to the late-fourteenth century. More broadly, my research into these topics aims to contribute to our understanding of the late-medieval origins of European modernity. The advances of pragmatic literacy, record-keeping, and auditing practices will be analysed with the aid of anthropological and social scientific theories of practice. By comparing the Savoyard ‘computi’ with their sources of inspiration, from the Anglo-Norman pipe rolls to the Catalan fiscal records, the project aims to highlight the creative adaptation of imported administrative models, and thus to contribute to our knowledge of institutional transfers in European history. The project will develop an inclusive frame of analysis in which the ‘computi’ will be read against the evidence from enfeoffment charters, castellany surveys (‘extente’), and the records of direct taxation (‘subsidia’). The serial data will be analysed by building a database; the findings of quantitative analysis will be verified by case studies of the individuals and families (many from the middle social strata) that surface in the fiscal records.
Summary
The present research project focuses on an unjustly neglected corpus of late-medieval sources, the administrative and fiscal accounts (‘computi’) of the castellanies – basic administrative units – of the county of Savoy. I propose a holistic model of analysis that can fully capitalise on the unusual wealth of detail of the Savoyard source material, in order to illuminate some key topics in late-medieval institutional and socio-economic history, from the development of state institutions through administrative and fiscal reform – with particular attention to the transition from personal to institutional accountability – to the question of socio-economic growth, decline, and recovery during the turbulent period of the late-thirteenth to the late-fourteenth century. More broadly, my research into these topics aims to contribute to our understanding of the late-medieval origins of European modernity. The advances of pragmatic literacy, record-keeping, and auditing practices will be analysed with the aid of anthropological and social scientific theories of practice. By comparing the Savoyard ‘computi’ with their sources of inspiration, from the Anglo-Norman pipe rolls to the Catalan fiscal records, the project aims to highlight the creative adaptation of imported administrative models, and thus to contribute to our knowledge of institutional transfers in European history. The project will develop an inclusive frame of analysis in which the ‘computi’ will be read against the evidence from enfeoffment charters, castellany surveys (‘extente’), and the records of direct taxation (‘subsidia’). The serial data will be analysed by building a database; the findings of quantitative analysis will be verified by case studies of the individuals and families (many from the middle social strata) that surface in the fiscal records.
Max ERC Funding
671 875 €
Duration
Start date: 2015-05-01, End date: 2020-04-30
Project acronym CIRGEN
Project Circulating Gender in the Global Enlightenment: Ideas, Networks, Agencies
Researcher (PI) Monica Bolufer Peruga
Host Institution (HI) UNIVERSITAT DE VALENCIA
Call Details Advanced Grant (AdG), SH6, ERC-2017-ADG
Summary Research on the role played by women as actors and by gender as a cultural category has crucially contributed to historiographical revision of the Enlightenment and its legacy to the modern world. However, the perspective adopted has been national or, if comparative, mostly radial. A leap forward is urgent because current circulationist approaches to the Enlightenment tend to forget its key gender dimension and to underplay contributions from Southern Europe. This projects offers, for the first time in the field, a systematic,truly transnational and transatlantic approach, which knits together cultural, intellectual, gender and postcolonial history, literary, philosophical and visual studies. It looks at the cultural transfer of gender notions in global perspective around five axes: translation, learned sociability, travel, reading and sensibility, to be explored through textual and iconographic analysis and archival research. Adopting the vantage point of Spain and its empire will allow to question approaches based either on the “national context” or the centre-periphery dichotomy, to reassess the role of the Catholic Enlightenment in the making of modernity and to highlight the mediating roles played by local actors, male and female, in processes of sociocultural change.
CIRGEN’s specific objectives are: to challenge dichotomous visions of Enlightenment discourses of gender by stressing their plural (and often conflictive) contribution to modernity; to decenter customary radial perspectives by stressing multilateral dialogues both within Europe and beyond; to better understand the role played by gender in the cultural geography of Enlightenment, particularly in the construction of the South/North symbolic divide; to produce empirically grounded evidence of the practical and iconic role of women in the making of modern reading publics; to foster innovative scholarship on the gendering of emotions in defining national identities and moral standards of civilization.
Summary
Research on the role played by women as actors and by gender as a cultural category has crucially contributed to historiographical revision of the Enlightenment and its legacy to the modern world. However, the perspective adopted has been national or, if comparative, mostly radial. A leap forward is urgent because current circulationist approaches to the Enlightenment tend to forget its key gender dimension and to underplay contributions from Southern Europe. This projects offers, for the first time in the field, a systematic,truly transnational and transatlantic approach, which knits together cultural, intellectual, gender and postcolonial history, literary, philosophical and visual studies. It looks at the cultural transfer of gender notions in global perspective around five axes: translation, learned sociability, travel, reading and sensibility, to be explored through textual and iconographic analysis and archival research. Adopting the vantage point of Spain and its empire will allow to question approaches based either on the “national context” or the centre-periphery dichotomy, to reassess the role of the Catholic Enlightenment in the making of modernity and to highlight the mediating roles played by local actors, male and female, in processes of sociocultural change.
CIRGEN’s specific objectives are: to challenge dichotomous visions of Enlightenment discourses of gender by stressing their plural (and often conflictive) contribution to modernity; to decenter customary radial perspectives by stressing multilateral dialogues both within Europe and beyond; to better understand the role played by gender in the cultural geography of Enlightenment, particularly in the construction of the South/North symbolic divide; to produce empirically grounded evidence of the practical and iconic role of women in the making of modern reading publics; to foster innovative scholarship on the gendering of emotions in defining national identities and moral standards of civilization.
Max ERC Funding
2 499 415 €
Duration
Start date: 2019-01-01, End date: 2023-12-31
Project acronym CORPI
Project Conversion, Overlapping Religiosities, Polemics, Interaction: Early Modern Iberia and Beyond
Researcher (PI) Mercedes Garcia-Arenal Rodriguez
Host Institution (HI) AGENCIA ESTATAL CONSEJO SUPERIOR DEINVESTIGACIONES CIENTIFICAS
Call Details Advanced Grant (AdG), SH6, ERC-2012-ADG_20120411
Summary In an early sixteenth-century treatise Martín de Figuerola, a convert from Islam who sought to convince the Muslims of Valencia and Aragon to join him, reports a story he claims to have heard from the Muslim judge of Cocentaina (Valencia). The latter had told him that, in marriage contracts between local Muslims, it was customary for women to demand that their husbands take them to the capital city of Valencia for the springtime festivities of Corpus Christi and those of the Virgin Mary in August. Simply put, the purpose of this project is to unravel the complex interplay of all the ingredients that this apparently trivial yet fascinating anecdote encapsulates. It will bring under close analysis the existence in sixteenth-century Iberia of cross-currents common to different religious groups, areas of local religiosity in which different religions overlapped, and vague or hybrid sorts of religiosity which indicate the blurring of clear ascriptions, categories, and borders. At the same time, it will also scrutinize the efforts made by different social actors (and generations of scholars after them) to establish clear, essential differentiations, to define neat categories and ascriptions, and thus to separate, reject, and stigmatize individuals and groups. The project will study adversarial relationships reconceived as dependencies, against a complex backdrop of dramatic religious change: shortly before Martín de Figuerola’s text was written, Iberia's Jews had been expelled, and a few years later its Muslims would be forced to convert to Christianity, only to be expelled in their turn a century later. The multi-faceted analysis of these phenomena will involve unearthing new archival material, most notably Inquisition trials, as well as numerous sixteenth- and seventeenth-century texts (both manuscripts and early modern editions) ranging from new translations of the Qur’an and other Jewish and Islamic classics, to a rich polemical literature.
Summary
In an early sixteenth-century treatise Martín de Figuerola, a convert from Islam who sought to convince the Muslims of Valencia and Aragon to join him, reports a story he claims to have heard from the Muslim judge of Cocentaina (Valencia). The latter had told him that, in marriage contracts between local Muslims, it was customary for women to demand that their husbands take them to the capital city of Valencia for the springtime festivities of Corpus Christi and those of the Virgin Mary in August. Simply put, the purpose of this project is to unravel the complex interplay of all the ingredients that this apparently trivial yet fascinating anecdote encapsulates. It will bring under close analysis the existence in sixteenth-century Iberia of cross-currents common to different religious groups, areas of local religiosity in which different religions overlapped, and vague or hybrid sorts of religiosity which indicate the blurring of clear ascriptions, categories, and borders. At the same time, it will also scrutinize the efforts made by different social actors (and generations of scholars after them) to establish clear, essential differentiations, to define neat categories and ascriptions, and thus to separate, reject, and stigmatize individuals and groups. The project will study adversarial relationships reconceived as dependencies, against a complex backdrop of dramatic religious change: shortly before Martín de Figuerola’s text was written, Iberia's Jews had been expelled, and a few years later its Muslims would be forced to convert to Christianity, only to be expelled in their turn a century later. The multi-faceted analysis of these phenomena will involve unearthing new archival material, most notably Inquisition trials, as well as numerous sixteenth- and seventeenth-century texts (both manuscripts and early modern editions) ranging from new translations of the Qur’an and other Jewish and Islamic classics, to a rich polemical literature.
Max ERC Funding
2 498 026 €
Duration
Start date: 2013-04-01, End date: 2019-03-31
Project acronym CREATIVE IPR
Project The History of Intellectual Property Rights in the Creative Industries
Researcher (PI) Veronique POUILLARD
Host Institution (HI) UNIVERSITETET I OSLO
Call Details Consolidator Grant (CoG), SH6, ERC-2018-COG
Summary CREATIVE IPR aims to study the rise of intellectual property rights in the creative industries, from the international treaties of the late nineteenth century to the present day, with a focus on Europe in the global world.
CREATIVE IPR examines the consequences of this development for the creators. What did intellectual property rights mean to a musician, or to a fashion designer in twentieth century Europe? Who captured economic value or failed to do so? In order to answer these questions, CREATIVE IPR proposes an original bottom-up approach, examining from the ground the macro and the micro aspects of the rise of intellectual property rights in the creative industries.
CREATIVE IPR pursues the questions in three arenas. The first arena is the formation and impact of national and international institutions and organizations for intellectual property. The second and third arenas are the role of authors’ rights societies in the music industries, and the management of creativity in the fashion industries. For each arena, cross-cutting themes are pursued: authorship and creativity, firms, technological change, legal frameworks, and the role of the commons – the public domain.
In recent years, intellectual property rights have, due to technological and economic change, attracted significant scholarly interest. Yet attention has not been paid to their impact on creators in a historical perspective. By analyzing the micro histories of the creators who negotiated the growing legal regime in the light of a transnational context CREATIVE IPR will fill a significant knowledge gap, help refine our ideas about the impact of intellectual property rights on creators, and open paths for future research. Ultimately it will help us understand how societies can foster rich and diverse creative industries.
Summary
CREATIVE IPR aims to study the rise of intellectual property rights in the creative industries, from the international treaties of the late nineteenth century to the present day, with a focus on Europe in the global world.
CREATIVE IPR examines the consequences of this development for the creators. What did intellectual property rights mean to a musician, or to a fashion designer in twentieth century Europe? Who captured economic value or failed to do so? In order to answer these questions, CREATIVE IPR proposes an original bottom-up approach, examining from the ground the macro and the micro aspects of the rise of intellectual property rights in the creative industries.
CREATIVE IPR pursues the questions in three arenas. The first arena is the formation and impact of national and international institutions and organizations for intellectual property. The second and third arenas are the role of authors’ rights societies in the music industries, and the management of creativity in the fashion industries. For each arena, cross-cutting themes are pursued: authorship and creativity, firms, technological change, legal frameworks, and the role of the commons – the public domain.
In recent years, intellectual property rights have, due to technological and economic change, attracted significant scholarly interest. Yet attention has not been paid to their impact on creators in a historical perspective. By analyzing the micro histories of the creators who negotiated the growing legal regime in the light of a transnational context CREATIVE IPR will fill a significant knowledge gap, help refine our ideas about the impact of intellectual property rights on creators, and open paths for future research. Ultimately it will help us understand how societies can foster rich and diverse creative industries.
Max ERC Funding
1 926 210 €
Duration
Start date: 2019-09-01, End date: 2024-08-31