ERC FUNDED PROJECTS

"Recent developments in image-making techniques have resulted in a drastic blurring of the threshold between the world of the image and the real world. Immersive and interactive virtual environments have enabled the production of pictures that elicit in the perceiver a strong feeling of being incorporated in a quasi-real world. In doing so such pictures conceal their mediateness (their being based on a material support), their referentiality (their pointing to an extra-iconic dimension), and their separateness (normally assured by framing devices), paradoxically challenging their status as images, as icons: they are veritable “an-icons”. This kind of pictures undermines the mainstream paradigm of Western image theories, shared by major models such as the doctrine of mimesis, the phenomenological account of image-consciousness, the analytic theories of depiction, the semiotic and iconological methods. These approaches miss the key counter-properties regarding an-icons as ""environmental"" images: their immediateness, unframedness, and presentness. Subjects relating to an-icons are no longer visual observers of images; they are experiencers living in a quasi-real environment that allows multisensory affordances and embodied agencies. AN-ICON aims to develop “an-iconology” as a new methodological approach able to address this challenging iconoscape. Such an approach needs to be articulated in a transdisciplinary and transmedial way: 1) HISTORY – a media-archaeological reconstruction will provide a taxonomy of the manifold an-iconic strategies (e.g. illusionistic painting, pre-cinematic dispositifs, 3D films, video games, head mounted displays); 2) THEORY – an experiential account (drawing on phenomenology, visual culture and media studies) will identify the an-iconic key concepts; 3) PRACTICES – a socio-cultural section will explore the multifaceted impact of an-iconic images, environments and technologies on contemporary professional domains as well as on everyday life. "

2 328 736 €

Start date: 2019-09-01, End date: 2024-08-31

Dante Alighieri at the dawn of the 1300s, as well as Eustache Deschamps almost a century later, conceived poetry as music in itself. But what happens with poetry when it is involved in the complex architecture of polyphony? The aim of this project is to study for the first time the corpus of 14th- and early 15th-century poetry set to music by Ars Nova polyphonists (more than 1200 texts). This repertoire gathers different poetic and musical traditions, as shown by the multilingual anthologies copied during the last years of the Schism. The choice of this corpus is motivated by two primary goals: a) to offer a new interpretation of its meaning and function in the cultural and historical context, one that may be then applied to the rest of coeval European lyric poetry; b) to overcome current disciplinary divisions in order to generate a new methodological balance between the project’s two main fields of interest (Comparative Literature / Musicology). Most Ars Nova polyphonists were directly associated with religious institutions. In many texts, the language of courtly love expresses the values of caritas, the theological virtue that guides wise rulers and leads them to desire the common good. Thus, the poetic figure of the lover becomes a metaphor for the political man, and love poetry can be used as a device for diplomacy, as well as for personal and institutional propaganda. From this unprecedented point of view, the project will develop three research lines in response to the following questions: 1) How is the relationship between poetry and music, and how is the dialogue between the different poetic and musical traditions viewed in relation to each context of production? 2) To what extent does Ars Nova poetry take part in the ‘soft power’ strategies exercised by the entire European political class of the time? 3) Is there a connection between the multilingualism of the manuscript tradition and the perception of the Ars Nova as a European, intercultural repertoire?

2 193 375 €

Start date: 2019-01-01, End date: 2023-12-31

This project will undertake the first systematic investigation of the various literary documents that circulated simultaneously in more than one language in Tuscany, and especially Florence, between the mid-13th Century and the beginning of 15th Century. During that period, Florence was both a prominent literary centre in the vernacular, and home to a renewal of classical Latin eloquence. While both fields are well studied, their interaction remains largely unexplored. This research, at the convergence of several disciplines (literature, philology, linguistics and medieval history), has a strong pioneering character. It aims at changing the perception of medieval Italian culture and interpretation of the break between medieval Culture and Humanism. For this reason, the project will develop research in varying degrees of depth. First, it will provide the first catalogue of bilingual texts and manuscripts of medieval Tuscany. Organized as a database, this tool of analysis will stir innovative research in this field, some of which will be immediately promoted during the project. Secondly, two case studies, considered as important and methodologically exemplary, will be researched in detail, through the publication of two important set of texts, of secular and religious nature : 1. The vernacular translation of the Latin Epistles of Dante Alighieri; 2. A collection of polemical, historiographical, devotional and prophetical documents produced by the Tuscan dissident Franciscans in last decades of the 14th Century. Finally, the entire team, led by the PI, will be involved in the preparation of a synthesis volume on Tuscan culture in the fourteenth century viewed through bilingualism, entitled Cartography of bilingual culture in Fourteenth-Century Tuscany. From this general map of the Italian culture of the time, no literary genre nor field (be it religious or lay) shall be excluded.

1 480 625 €

Start date: 2015-10-01, End date: 2020-09-30

The ability to construct new meanings by combining words into larger constituents is one of the fundamental and peculiarly human characteristics of language. Systems that induce the meaning and combinatorial properties of linguistic symbols from data are highly desirable both from a theoretical perspective (modeling a core aspect of cognition) and for practical purposes (supporting human-computer interaction). COMPOSES tackles the meaning induction and composition problem from a new perspective that brings together corpus-based distributional semantics (that is very successful at inducing the meaning of single content words, but ignores functional elements and compositionality) and formal semantics (that focuses on functional elements and composition, but largely ignores lexical aspects of meaning and lacks methods to learn the proposed structures from data). As in distributional semantics, we represent some content words (such as nouns) by vectors recording their corpus contexts. Implementing instead ideas from formal semantics, functional elements (such as determiners) are represented by functions mapping from expressions of one type onto composite expressions of the same or other types. These composition functions are induced from corpus data by statistical learning of mappings from observed context vectors of input arguments to observed context vectors of composite structures. We model a number of compositional processes in this way, developing a coherent fragment of the semantics of English in a data-driven, large-scale fashion. Given the novelty of the approach, we also propose new evaluation frameworks: On the one hand, we take inspiration from cognitive science and experimental linguistics to design elicitation methods measuring the perceived similarity and plausibility of sentences. On the other, specialized entailment tests will assess the semantic inference properties of our corpus-induced system.

1 117 636 €

Start date: 2011-11-01, End date: 2016-10-31

Over the centuries, Sicily has known an unequalled variety of building experiences. Strategically located, the largest Mediterranean island has served as a centre for the dissemination of innovative solutions, as well as a collector of ideas from multiple sources. This intellectual interchange is clearly evident in the long history of stereotomy or stone construction. A rich tradition of advanced stone cutting (domes, cross vaults and complex stair solutions), evolved through experimentation and importation. Initially solutions from the Byzantine world and North Africa were influential. A wider experimentation occurred during the Renaissance. In this era new technologies often related to seismic concerns and involving the use of lighter structures stimulated innovation. The multiple earthquakes that struck the island initiated a fascinating and, in some ways, effective series of experiments in the field of anti-seismic construction technology. This project aims to investigate building criteria applied between the Middle Ages and the Modern era in the Mediterranean basin, with a particular attention to Sicily and other big islands, southern Italy, eastern Spain, North Africa and near East. Measurements, surveys, and the material knowledge of the building techniques will be intertwined with the tools of the historical investigation. Research will study geometric, constructive and formal models and chart their origins and routes of development. A most challenging aspect of the project is the verification of the flow of ideas in the Mediterranean, in order to show a less simplistic image of the history and of the civilizations that here faced. It is expected to have a relevant scientific and social impact, modifying scholars' attitude on the investigated topics and laying the foundations for a new strategy of conservation and management of the Mediterranean cultural heritage, thought as a whole, stimulating the rising of new study interests and fruition circuits.

1 203 960 €

Start date: 2012-04-01, End date: 2016-09-30

In the Arabian peninsula, before the advent of Islam some distinctive civilizations flourished with a remarkable cultural level and left behind an important epigraphic and artistic wealth in terms of quality and interest. The history of these cultures is known almost exclusively by epigraphic material. In fact, the majority of texts that the inhabitants of Arabia have left us are the inscriptions that are found in their tens of thousands all over the lands. However, the inscriptions of pre-Islamic Arabia are only relatively known and often difficult to interpret, and scholars are obliged to draw on resources which are outdated or overly narrow in scope. On the basis of these considerations, DASI would like to apply the modern computer technology to the study of pre-Islamic inscriptions. The main objective of DASI is to improve and enrich the existing CSAI project (Corpus of South Arabian Inscriptions: http://csai.humnet.unipi.it) in terms of methodology and contents creating a digital archive of the whole corpus of pre-Islamic Arabian inscriptions. This archive is intended to become the virtual place where all the existing inscriptions from Arabia are gathered and can be managed, consulted and studied: the virtual ambient will collect the inscriptions that are physically located in different, faraway places such as archaeological sites in Arabia, as well as museums or private collections all over the world, but it will also document inscriptions by now physically lost and known only thorough previous publications. By actually cataloguing and studying these texts, the aim of DASI is to achieve a better overall perception and knowledge of the epigraphic heritage of pre-Islamic Arabia - yet a very young field - and consequently of its languages and cultures.

2 129 200 €

Start date: 2011-05-01, End date: 2016-04-30

"The project aims at providing electronic editions of ancient medical sources including texts, translations, commentary, metadata, and images of papyri, ostraca, and tablets. Greek medical papyri and related artifacts recovered in Egypt are a veritable treasure trove of information on crucial and otherwise poorly attested phases in the development of ancient Greek medicine, its penetration into regions of the Mediterranean world and its transformation through interaction with local medical traditions — a medicine that Romans spread throughout western Europe. The interdisciplinary approach makes possible cooperative interaction among classicists, information technicians, ancient historians, and especially historians of medicine. The goal is to make both texts and metadata accessible via a single interface and to publish texts online, combining philological rigour with technological flexibility, bibliographic control, and a critical apparatus for each text. Openness and dynamism will characterise our searchable database: it is not to be a synthesis of fixed data, but rather a constantly changing repertory of sources monitored by the scholarly community and maintained by those who wish to participate at a professional level. It will extend the Duke Data Bank, taking the latter in new directions by uniting documentary and literary papyri into a common technological framework — SoSOL within Digital Papyrology. The central feature is interaction by the worldwide community of coopted participants manipulating electronic means to produce new editions of previously unknown literary and paraliterary texts of medical content, as well as to improve existing editions. The Medical Library will share space with a dictionary of technical terms attested in the papyri that likewise survive into modern scientific discourse. The entire community of papyrologists, ancient historians, historians of science, philologists, and digital humanists will share in the results."

654 836 €

Start date: 2014-01-01, End date: 2016-12-31

Every day, everywhere, people make unethical choices ranging from minor selfish lies to massive frauds, with dramatic individual and societal costs. Embodied cognition theories posit that even seemingly abstract processes (like grammar) may be biased by the body-related signals used for building and maintaining self-consciousness, the fundamental experience of owning a body (ownership) and being the author of an action (agency), that is at the basis of self-other distinction. Applying this framework to morality, we hypothesize that strengthening or weakening participants’ bodily self-consciousness towards virtual avatars or real others will influence dishonesty in real, virtual, and web-based interactions. To test this hypothesis, we will measure: i) individual dishonesty after modifying body ownership (e.g., by changing the appearance of the virtual body) and agency (e.g., by changing the temporal synchrony between participant’s and avatar’s actions) over an avatar through which decisions are made; ii) intergroup dishonesty after inducing inter-individual sharing of body self-consciousness (e.g., blur self-other distinction via facial visuo-tactile stimulation); iii) individual and intergroup dishonesty by manipulating exteroceptive (e.g., the external features of a virtual body) or interoceptive (e.g., changing the degree of synchronicity between participant’s and avatar/real person’s breathing rhythm) bodily inputs. Dishonesty will be assessed through novel ecological tasks based on virtual reality and web-based interactions. Behavioural (e.g., subjective reports, kinematics), autonomic (e.g., heartbeat, thermal imaging) and brain (e.g., EEG, TMS, lesion analyses) measures of dishonesty will be recorded in healthy and clinical populations. Our person-based, embodied approach to dishonesty complements cross-cultural, large-scale, societal investigations and may inspire new strategies for contrasting dishonesty and other unethical behaviours.

2 497 188 €

Start date: 2018-11-01, End date: 2023-10-31

FACETS studies the meaning of the face in contemporary visual cultures. There are two complementary research foci: widespread practices of face exhibition in social networks like Facebook, Instagram, Snapchat, and Tinder; and minority practices of occultation, including the mask in anti-establishment political activism (e.g., Anonymous) and in anti-surveillance artistic provocation (e.g., Leonardo Selvaggio). Arguably, the meaning of the human face is currently changing on a global scale: through the invention and diffusion of new visual technologies (e.g., digital photography, visual filters, as well as software for automatic face recognition); through the creation and establishment of novel genres of face representation (e.g., the selfie); and through new approaches to face perception, reading, and memorization (e.g., the ‘scrolling’ of faces on Tinder). Cognitions, emotions, and actions that people attach to the interaction with one’s and others’ faces might soon be undergoing dramatic shifts. In FACETS, an interdisciplinary but focused approach combines visual history, semiotics, phenomenology, visual anthropology, but also face perception studies and collection, analysis, and social contextualization of big data, so as to study the cultural and technological causes of these changes and their effects in terms of alterations in self-perception and communicative interaction. In the tension between, on the one hand, political and economic agencies pressing for increasing disclosure, detection, and marketing of the human face (for reasons of security and control, for commercial or bureaucratic purposes) and, on the other hand, the counter-trends of face occultation (writers and artists like Banksy, Ferrante, Sia, or Christopher Sievey / Frank Sidebottom choosing not to reveal their faces), the visual syntax, the semantics, and the pragmatics of the human face are rapidly evolving. FACETS carries on an innovative, cross-disciplinary survey of this phenomenon.

1 997 803 €

Start date: 2019-06-01, End date: 2024-05-31