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Applied theatre tells a story not for the purposes of entertainment but for social, economic, political or therapeutic reasons. Prof. Matthias Warstat, funded by the ERC, wants to know more about the growth and impact of this form of theatre across the world.
Headscarves, mosques and halal shops — many EU citizens are Muslims, but visible signs of their faith are often viewed with distrust. What some Europeans see as a right to express their identity, others regard as a threat to societal core values. Insights from ERC-funded research into emblematic controversies may help to find a way forward.
Through her work with the fruit fly Drosophila santomea, Dr Virginie Orgogozo aims to answer one of the most challenging questions of modern evolutionary biology: how do observable characteristics change between species and yet remain stable in a given species?
With her degree in biology, Dr Maria-Elena Torres-Padilla left Mexico and embarked on an international career in epigenetics. She completed her PhD at the Pasteur Institute in Paris and then moved to Cambridge University. In 2006 she joined IGBMC in Strasbourg working as a group leader. She has just been appointed Director of the Institute of Epigenetics and Stem Cells of the Helmholtz Zentrum in Munich. Supported by an ERC grant, she studies the mechanisms controlling embryonic cellular plasticity with the aim of shedding new light on today's fertility issues. In this interview she shares her story as a non-European scientist in Europe.
Ethiopia has the most ancient tradition of written culture in sub-Saharan Africa. Until today old monasteries and churches, scattered all over the country, hold thousands of precious manuscripts. Yet, for most part, these cultural treasures are stored in precarious conditions. Prof. Denis Nosnitsin intends to preserve and study this rich heritage that soon could be lost forever.
The ‘Gothic’ architectural style, which flourished during the high- and late-medieval periods, from the 12th to 16th centuries AD, gave Europe some of its greatest cathedrals, minsters and churches as well as an architectural treasure house of palaces, town halls and guild buildings among others. Importantly, the soaring open spaces conceived and constructed by the architects of the period were only made possible by the innovative ways of designing and constructing ambitious vaulted ceilings. How did those medieval builders go about designing these huge complex monuments? And in an era without computers and design software, how did they set down their visions and transmit them in usable form to the master builders and masons who created them?