- Projects & figures
- News & Events
- Managing your project
- About ERC
The increasing development of wearable technology sparks the need for new, innovative ways to interact with our shiny gadgets. Deviating from the conventional approach based on touch-sensitive devices, Prof. Jürgen Steimle aims at producing body-worn user interfaces that can be applied directly on the skin. Highly personalised, biocompatible and ultrathin, these devices will seamlessly blend with the human skin to create a technological extension of our body.
Applied theatre tells a story not for the purposes of entertainment but for social, economic, political or therapeutic reasons. Prof. Matthias Warstat, funded by the ERC, wants to know more about the growth and impact of this form of theatre across the world.
Headscarves, mosques and halal shops — many EU citizens are Muslims, but visible signs of their faith are often viewed with distrust. What some Europeans see as a right to express their identity, others regard as a threat to societal core values. Insights from ERC-funded research into emblematic controversies may help to find a way forward.
Ethiopia has the most ancient tradition of written culture in sub-Saharan Africa. Until today old monasteries and churches, scattered all over the country, hold thousands of precious manuscripts. Yet, for most part, these cultural treasures are stored in precarious conditions. Prof. Denis Nosnitsin intends to preserve and study this rich heritage that soon could be lost forever.
It has long been a sci-fi dream to have a humanoid robot in our everyday life. Soon that dream may seem even more vivid, thanks to Dr Pierre-Yves Oudeyer’s ERC-funded project. His team has developed the first complete open-source 3D printed humanoid robot, called “Poppy”. Poppy is a robot that anybody can build – its body is 3D printed and its behaviour programmed by the user. The technology will be of benefit to the fields of science, engineering, education and even the arts.
The ‘Gothic’ architectural style, which flourished during the high- and late-medieval periods, from the 12th to 16th centuries AD, gave Europe some of its greatest cathedrals, minsters and churches as well as an architectural treasure house of palaces, town halls and guild buildings among others. Importantly, the soaring open spaces conceived and constructed by the architects of the period were only made possible by the innovative ways of designing and constructing ambitious vaulted ceilings. How did those medieval builders go about designing these huge complex monuments? And in an era without computers and design software, how did they set down their visions and transmit them in usable form to the master builders and masons who created them?