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ERC grantee Renata Sõukand is exploring to what extent local ecological practices concerning the use of plants, among selected ethnic minorities in Eastern Europe, have declined due to the centralization imposed by dominant practices through the impacts on natural resources, health, economies and the well-being of local communities.
How does the past inform the lives of children and young people? A global team of EU-funded researchers is examining this issue by assessing how stories from classical antiquity impact on popular culture and society. The project’s results and outputs will provide valuable resources for scholars and teachers.
Can architects provide new types of evidence on war crimes and human rights violations? Dr Eyal Weizman believes they can. With the ERC backing, he developed a new field of research: forensic architecture. Dr Weizman and a multidisciplinary team of architects, software engineers, graphic designers and researchers provide architectural evidence and new perspectives on violent events and conflicts around the world.
Headscarves, mosques and halal shops — many EU citizens are Muslims, but visible signs of their faith are often viewed with distrust. What some Europeans see as a right to express their identity, others regard as a threat to societal core values. Insights from ERC-funded research into emblematic controversies may help to find a way forward.
Social networking platforms and other online activities can enable women migrants to maintain the links with their home countries, but also to connect to each other, thus encouraging their emancipation. Digital media could hence be rethought as a tool for participation and integration. These are preliminary findings of Prof. Sandra Ponzanesi’s study focusing on migrant women in three different European countries.
Professor Ananya Jahanara Kabir is a literary and cultural historian at King's College London. Passionate about music, dance, film, the visual arts, academic discourse and literature, she studies what such forms of cultural production can say about the world we live in. With her ERC grant and interdisciplinary team, she leads research on Afro-diasporic rhythm cultures, examining the history and global popularity of African-derived dance practices and their relation to modernity, post-colonialism and post-trauma.
Originally published in March 2017 as part of the multimedia campaign "ERC - 10 years – 10 portraits."
Over the past months, a sudden influx of ‘Pokémon Go’ players could be observed across the globe. Youngsters, people of all ages scrutinise their surroundings silently, using their smartphones to catch those digital creatures with unlikely names. How could such a phenomenon take over the world so fast? Part of the answer may be the game’s strong interaction with the real-world and its impressive mapping, offering a whole new virtual experience of spaces that seem to be familiar and yet so different.
Ethiopia has the most ancient tradition of written culture in sub-Saharan Africa. Until today old monasteries and churches, scattered all over the country, hold thousands of precious manuscripts. Yet, for most part, these cultural treasures are stored in precarious conditions. Prof. Denis Nosnitsin intends to preserve and study this rich heritage that soon could be lost forever.
Music has been a vital part of human cultures for millennia, and today it continues to evolve, taking vastly different forms around the world. Proceeding from the rich diversity of human music-making, Prof. Georgina Born has been investigating its transformation in the current digital era.
The ‘Gothic’ architectural style, which flourished during the high- and late-medieval periods, from the 12th to 16th centuries AD, gave Europe some of its greatest cathedrals, minsters and churches as well as an architectural treasure house of palaces, town halls and guild buildings among others. Importantly, the soaring open spaces conceived and constructed by the architects of the period were only made possible by the innovative ways of designing and constructing ambitious vaulted ceilings. How did those medieval builders go about designing these huge complex monuments? And in an era without computers and design software, how did they set down their visions and transmit them in usable form to the master builders and masons who created them?